![]() Peg o' my heart / Bryan, lyrics Fischer, music.īlue River = Rio Azul / Alfred Bryan Lewis James. Why should I say that I'm sorry : When nobody's sorry but me = Por qué quejarme si la culpa es mía / Larry Conley.Ĭharles Dornberger and his orchestra vocal refrain by Franklyn Baur and Nat Shilkret and the Victor Orchestra vocal refrain by Henry Burr. Red lips, kiss my blues away = Tus labios rojos me quitan las penas / Bryan, Monaco, Wendling. James McCool, with orchestra accompaniment.Įric Sims (Baritone) Orchestra accompaniment. Stanley, baritone Burr, tenor, duet with orchestra. Starlight and tulips / Wendling and Bryan. I'm on my way to Mandalay / Fred Fischer. Goodnight mother / David Bryan Lawnhurst. There's a lump of sugar down in Dixie / Bryan Yellen Gumble.Ĭome Joesphin in my flying machine / Bryan Fisher.Īda Jones American Quartet, with orchestra. I'll wed you in the golden summer time /. Swanee babe / Dick Richards Jack Drislane.Īmerican Quartet, Haydn Quartet Harry Macdonough Elizabeth Wheeler.Ĭheer up Father, cheer up Mother / Bryan Paley. When I marry you / Albert Gumble Alfred Bryan. Iyone : my own Iyone / Alfred Bryan Addy Britt Harold Leonard. Henry Burr, tenor with orchestra accompaniment. If I were the ocean and you were the shore / Bryan Wells. Guy Lombardo and his Royal Canadians Carmen Lombardo, vocal chorus. ![]() Goodnight mother / Mack David Al Bryan Vic Lawnhurst. Larry Herman, tenor solo (Felix the cat) Larry Herman, tenor solo (I love that girl) Peg o' my heart / Fred Fischer Alfred Bryan.įelix the cat / Wendling. Sahara : we'll soon be dry like you : from "Monte Cristo, Jr." / Alfred Bryan Jean Schwartz.īilly Murray Hayden Quartet. Īvon Comedy Four with orchestra accompaniment. I'm crazy over every girl in France / Wendling Wells. Hiawatha's Melody Of Love Bryan Mehlinger Meyer. Southamthom Society Orchestra (vocal chorus by George White). Ĭolumbia Quartette, vocal quartette with orchestra accompaniment.īrown Eyes, Why are You Blue ? / Bryan Meyer. When it's night time down in Burgandy / Paley, music. Harry Tally, with orchestra accompaniment. Geraldo and his Orchestra Denny Vaughan, vocalist.Ĭome, Josephine in my flying machine / Al. Over The Alpine Mountains Alfred Bryan Fred Fischer.Īlbert Campbell Henry Burr With Orchestra.Īlbert Campbell Henry Burr Orchestra Accompaniment. Only a dream of the past, or, / Caesar, lyrics Bryan, lyrics Meyer, music. Peerless Quartette, vocal quartette male voices with orchestra accompaniment. It's time for every boy to be a soldier / Tierney music. Guy Lombardo and his Royal Candians Carmen Lombardo, vocal chorus.īrown eyes-why are you blue / Bryan Meyer. My song of the Nile : from the motion picture "Drag" / Bryan Meyer.Ĭheer up, cherries will soon be ripe / Bryan Myer. Morton Harvey, tenor with orchestra Henry Burr, tenor with orchestra. Stay down here where you belong / Irving Berlin Henry Burr. I didn't raise my boy to be a soldier / Alfred Bryan, Al Piantadosi Morton Harvey. Jack Blue's Texans (vocal chorus by Jack Blue). Yo Te Mo Means I Love You / Whiting Bryan. Haydn Quartet, male quartet with orchestra. Quand Madelon / Bousquet, paroles Robert, musique.Ĭhilly pom-pom-pee / Beaudry, paroles Daissain, musique.įelix the cat = Felix el gato / Bryan Kortlander Wendling. Jean Cartier, baryton avec violon et piano. Ma chanson du Nil = / My song of the Nile Beaudry Bryan, paroles anglaises Meyer, musique. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.Jeanne d'Arc = / Bryan Weston Wells. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The most beautiful song and has so many levels. ![]() Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men.
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